Advertising and Visual Communication
A.Y. 2024/2025
Learning objectives
Undefined
Expected learning outcomes
Undefined
Lesson period: Second trimester
Assessment methods: Esame
Assessment result: voto verbalizzato in trentesimi
Single course
This course can be attended as a single course.
Course syllabus and organization
Single session
Responsible
Lesson period
Second trimester
Course syllabus
This course explores the role that visual imagery plays in contemporary society, by means of looking at the visual as a key communication as well as economic and cultural resource. The course offers both an overview of established critical theories of visual communication and more contemporary takes on visual analysis and visuality at large. To gain critical understanding of the central role that visual communication plays in global and local contexts alike, the course relies on a wide range of examples and case studies from key communication industries including advertising, film, stock photography, branding, digital media, and news media. As well as studying visual communication theories, methods for critical visual analysis and specific examples and cases, students will develop their own original research on specific dimensions of visual communication.
Students completing this course will:
· acquire experience in analyzing specific examples and cases through the theoretical and methodological instruments offered by visual communication scholarship
· acquire knowledge of the various flows of communication products and practices that characterize contemporary visual communication
· develop an understanding of the complexity of visual communication and its implications on local, national and transnational levels
· develop analytical skills for sophisticated analyses of visual texts in relation to language, materiality and the contexts of their production and reception
· examine specific case studies and controversial issues within the field, especially the relations of power involved in visual communication (e.g. issues tied to the representation and communication of gender/sexual, racial/ethnic, national/regional and transnational/global identities)
· reflect on their role and ethical responsibility as producers and users of visual images in social science and humanities research and everyday contexts alike
Students completing this course will:
· acquire experience in analyzing specific examples and cases through the theoretical and methodological instruments offered by visual communication scholarship
· acquire knowledge of the various flows of communication products and practices that characterize contemporary visual communication
· develop an understanding of the complexity of visual communication and its implications on local, national and transnational levels
· develop analytical skills for sophisticated analyses of visual texts in relation to language, materiality and the contexts of their production and reception
· examine specific case studies and controversial issues within the field, especially the relations of power involved in visual communication (e.g. issues tied to the representation and communication of gender/sexual, racial/ethnic, national/regional and transnational/global identities)
· reflect on their role and ethical responsibility as producers and users of visual images in social science and humanities research and everyday contexts alike
Prerequisites for admission
Basic listening/reading and intermediate writing skills in English.
Teaching methods
Lectures, case studies, and seminars aimed at engaging students in active discussions about the course's key themes and examples.
Teaching Resources
1) Aiello, G. and Parry, K. (2020). Visual Communication: Understanding Images in Media Culture. London: SAGE.
2) An additional reading pack with key articles and essays will be shared with students through Ariel.
2) An additional reading pack with key articles and essays will be shared with students through Ariel.
Assessment methods and Criteria
The exam will consist in the evaluation of a 4,000-word visual analysis essay.
The visual analysis essay focuses on the conceptualization and analysis of key dimensions of visual communication in relation to specific media texts. Examples of artifacts that can be used for your projects are selected film sequences, TV shows, advertisements and commercials, websites, social media images, news media images, logos and brands, postcards and tourist images, etc.
Detailed information and further guidelines regarding the visual analysis essay will be provided during lectures.
The paper will need to be handed in at least ten days before the date selected for the optional oral discussion of the visual analysis essay. The essay submission date will be communicated through Ariel. Students will be able to discuss their work during the oral session if they hope to improve their essay's grade.
The visual analysis essay focuses on the conceptualization and analysis of key dimensions of visual communication in relation to specific media texts. Examples of artifacts that can be used for your projects are selected film sequences, TV shows, advertisements and commercials, websites, social media images, news media images, logos and brands, postcards and tourist images, etc.
Detailed information and further guidelines regarding the visual analysis essay will be provided during lectures.
The paper will need to be handed in at least ten days before the date selected for the optional oral discussion of the visual analysis essay. The essay submission date will be communicated through Ariel. Students will be able to discuss their work during the oral session if they hope to improve their essay's grade.
SPS/08 - SOCIOLOGY OF CULTURE AND COMMUNICATION - University credits: 9
Lessons: 60 hours
Professor:
Aiello Giorgia
Professor(s)