English Culture I
A.Y. 2022/2023
Learning objectives
Focusing on the literary and non-literary works, films, discourses, art forms and cultural practices which contribute to inform the current British debate on national, social and cultural identity against the backdrop of the country's imperial past, and with a view to redefine the United Kingdom's role in Europe and globally, this course aims to enhance the students' critical knowledge and understanding of these themes, as well as of the enduring influence and attraction of British institutions, literature and culture on our current experience of contemporaneity.
These aims are pursued through the methodological and critical tools of cultural studies, which, in tune with the avowed educational and vocational objectives of our Master Degree Course, privilege multicultural and interdisciplinary exchanges and perspectives. These approaches are particularly rewarding in order to contextualize British cultural phenomena against the backdrop of a rich web of relations among culture(s), beliefs, literatures, genres, social and discursive practices and paradigms, and the production and consumption of cultural products. By fostering active participation from the students, the course aims to enhance their critical analytic skills, their ability to make independent judgements and organize their own work and study projects, and encourages an advanced ability to recognize differences and make thoughtful connections among divergent forms, genres, practices and identities, in line with the overall mission of Lingue e Culture per la Comunicazione e la Cooperazione Internazionale.
Objectives include:
Knowledge and understanding - Students will gain knowledge and critical understanding of a range of cultural practices, productions (visual art, films, writing, performances), and literary genres and texts in English, relevant to the main themes of the course, which they will approach through the lens of selected Cultural Studies practices and theories, applied to the current British context. Knowledge and understanding of the historical, political and social background, as well as of essential cultural paradigms, will be important elements of the programme. These include, but are not limited to: definitions and re-definitions of British national identity against the new multicultural and multi-ethnic social reality; Englishness, Britishness, exclusion and inclusion; London as urban space, and as literary and film imaginary; borders, immigration, diaspora and their representation in the British public sphere and in British literature, film, art, and music. Other themes, connected to specific courses, may include notions such as: empire, post-empire, Commonwealth, post-colonialism, and the relations with the former colonies; identity, alterity, difference, hybridity; "race", ethnicity, multiculturalism, and cosmopolitanism; the discourses and practices of dissent and resistance; power, ideology, hegemony and the ways they are reflected in British culture; politics, practices and representations of the body; alterity, speculative genres, science fiction.
Applying knowledge and understanding - Students will have the opportunity to apply their acquired knowledge and understanding to in-depth close reading and critical analysis of cultural productions and literary texts; to improving their ability to retrieve, select, synthesise, compare, evaluate and organize relevant information and materials; to debating and discussing relevant texts and issues in the class and in groups and producing oral and written work in English, and PowerPoint presentations, consistent with the topics of the course.
Making judgements - Students will acquire the following skills relevant to making informed and autonomous judgements: by acquiring and developing comprehensive analytical and critical attitudes towards a diversity of cultural productions and literary texts, they will be better equipped to embrace and transfer intercultural and plural perspectives of analysis. The ability to draw comparisons and establish connections between the various contexts under scrutiny, and the habit to experiment with a diversity of approaches to selected issues consistent with the course will also be major assets in developing judgements skills.
Communication skills - The course will enable students to enhance their ability to use English to discuss selected topics, present their own work to an audience of peers and engage the audience in fruitful debates, use IT technology to support both academic study, research and networking.
These aims are pursued through the methodological and critical tools of cultural studies, which, in tune with the avowed educational and vocational objectives of our Master Degree Course, privilege multicultural and interdisciplinary exchanges and perspectives. These approaches are particularly rewarding in order to contextualize British cultural phenomena against the backdrop of a rich web of relations among culture(s), beliefs, literatures, genres, social and discursive practices and paradigms, and the production and consumption of cultural products. By fostering active participation from the students, the course aims to enhance their critical analytic skills, their ability to make independent judgements and organize their own work and study projects, and encourages an advanced ability to recognize differences and make thoughtful connections among divergent forms, genres, practices and identities, in line with the overall mission of Lingue e Culture per la Comunicazione e la Cooperazione Internazionale.
Objectives include:
Knowledge and understanding - Students will gain knowledge and critical understanding of a range of cultural practices, productions (visual art, films, writing, performances), and literary genres and texts in English, relevant to the main themes of the course, which they will approach through the lens of selected Cultural Studies practices and theories, applied to the current British context. Knowledge and understanding of the historical, political and social background, as well as of essential cultural paradigms, will be important elements of the programme. These include, but are not limited to: definitions and re-definitions of British national identity against the new multicultural and multi-ethnic social reality; Englishness, Britishness, exclusion and inclusion; London as urban space, and as literary and film imaginary; borders, immigration, diaspora and their representation in the British public sphere and in British literature, film, art, and music. Other themes, connected to specific courses, may include notions such as: empire, post-empire, Commonwealth, post-colonialism, and the relations with the former colonies; identity, alterity, difference, hybridity; "race", ethnicity, multiculturalism, and cosmopolitanism; the discourses and practices of dissent and resistance; power, ideology, hegemony and the ways they are reflected in British culture; politics, practices and representations of the body; alterity, speculative genres, science fiction.
Applying knowledge and understanding - Students will have the opportunity to apply their acquired knowledge and understanding to in-depth close reading and critical analysis of cultural productions and literary texts; to improving their ability to retrieve, select, synthesise, compare, evaluate and organize relevant information and materials; to debating and discussing relevant texts and issues in the class and in groups and producing oral and written work in English, and PowerPoint presentations, consistent with the topics of the course.
Making judgements - Students will acquire the following skills relevant to making informed and autonomous judgements: by acquiring and developing comprehensive analytical and critical attitudes towards a diversity of cultural productions and literary texts, they will be better equipped to embrace and transfer intercultural and plural perspectives of analysis. The ability to draw comparisons and establish connections between the various contexts under scrutiny, and the habit to experiment with a diversity of approaches to selected issues consistent with the course will also be major assets in developing judgements skills.
Communication skills - The course will enable students to enhance their ability to use English to discuss selected topics, present their own work to an audience of peers and engage the audience in fruitful debates, use IT technology to support both academic study, research and networking.
Expected learning outcomes
Acquired knowledge and skills will match the multicultural mission and learning objectives of the Master Degree Course by allowing students to select, contextualise, critically analyse, evaluate and discuss the thematic threads, the cultural practices, discourses, literary, visual and artistic productions of contemporary Britain showing an awareness of their historical, political, social and cultural backgrounds. The acquisition of these skills will be fostered by encouraging the students to engage in active participation and dialogue and by enabling them to draw comparisons and unravel the connections between the British context and their own culture and experiences, according to a cross-cultural perspective which, in line with the overall objectives of Lingue e Culture per la Comunicazione e la Cooperazione Internazionale, will enhance their ability to compare different histories, ideologies, claims, cultural practices, and the way they offer thoughtful responses to central issues of the present. Through active participation and independent work, students will develop linguistic and argumentative skills which will help them undertake further study with a higher degree of intellectual curiosity, autonomy, and ability to discriminate, transfer the acquired skills to related fields of analysis and apply multiple methodologies and a consistent intercultural approach to their dissertation and post-graduate research.
Lesson period: First semester
Assessment methods: Esame
Assessment result: voto verbalizzato in trentesimi
Single course
This course cannot be attended as a single course. Please check our list of single courses to find the ones available for enrolment.
Course syllabus and organization
Single session
Responsible
Lesson period
First semester
In the emergency teaching phase, should it become necessary to use online teaching, the program designed for face-to-face teaching is modified as follows:
Teaching methods:
The lessons will be held in synchronous, trying to enhance interaction (chat and forum), using mainly Teams; only in specific cases and duly communicated, the lessons will be held in asynchronous (videolessons). In case there will be activities in presence (following the indications of the university), students who will not participate will be offered an alternative online activity that will allow them to develop the same critical and text analysis skills.
The timetable of the lessons remains unchanged and all the most important information will be provided through the ARIEL website of the course.
The methods and criteria for attending the lessons in attendance, which require a reservation with the appropriate app, will be published in good time on the ARIEL website of the course.
Reference materials:
The syllabus is kept untouched. For those who decide not to attend the course, we recommend the supporting bibliography.
Testing and grading:
The exam is oral and will be conducted, in the case of online teaching, in Microsoft Teams, according to the indications provided by the University. The requirements and methods of evaluation remain the same with respect to the "in presence" program.
Teaching methods:
The lessons will be held in synchronous, trying to enhance interaction (chat and forum), using mainly Teams; only in specific cases and duly communicated, the lessons will be held in asynchronous (videolessons). In case there will be activities in presence (following the indications of the university), students who will not participate will be offered an alternative online activity that will allow them to develop the same critical and text analysis skills.
The timetable of the lessons remains unchanged and all the most important information will be provided through the ARIEL website of the course.
The methods and criteria for attending the lessons in attendance, which require a reservation with the appropriate app, will be published in good time on the ARIEL website of the course.
Reference materials:
The syllabus is kept untouched. For those who decide not to attend the course, we recommend the supporting bibliography.
Testing and grading:
The exam is oral and will be conducted, in the case of online teaching, in Microsoft Teams, according to the indications provided by the University. The requirements and methods of evaluation remain the same with respect to the "in presence" program.
Course syllabus
TITLE: Young Brits. "New" generations & the re-making of UK in documents, literature & film
Now that Brexit has become a political and economic reality, the long-standing conservative leadership has taken away hopes from young people, marginal identities and the poor. Democratic hints are growing from grassroots organization and various kinds of activism. Considering different new trends in British cultures, the course wants to focus on various forms of cultural and activist resistance to the deterioration of civil life. We will work on different kinds of textualities - visual, digital, written, hybrid - as to gain a clearer idea of the many ways in which the key topics of the contemporary world - global migration & the environment - are approached in different media. Some practical training in digital and face-to-face communication concerning these issues is included in the course.
The work will be organized into two units:
Unit 1 - Climate & the environment
Unit 2 - Migration
Now that Brexit has become a political and economic reality, the long-standing conservative leadership has taken away hopes from young people, marginal identities and the poor. Democratic hints are growing from grassroots organization and various kinds of activism. Considering different new trends in British cultures, the course wants to focus on various forms of cultural and activist resistance to the deterioration of civil life. We will work on different kinds of textualities - visual, digital, written, hybrid - as to gain a clearer idea of the many ways in which the key topics of the contemporary world - global migration & the environment - are approached in different media. Some practical training in digital and face-to-face communication concerning these issues is included in the course.
The work will be organized into two units:
Unit 1 - Climate & the environment
Unit 2 - Migration
Prerequisites for admission
Students are expected to be fluent in English. They must be able to read and understand complex texts in English and they must prove able to express their own critical position on the suggested issues, also showing to be aware of the characteristics of the methods of Cultural Studies: in case they are not, the students are invited to ask the professor for additional readings.
Teaching methods
Classes will develop on a lecture-based method and collaborative, occasionally involving guest speakers and the participation to external events. Students will be led to develop team-working abilities, congruent with the professional profile they are meant to acquire.
Teaching Resources
Unit 1 - Climate & the environment
Documents:
Climate change (made simple): https://climatekids.nasa.gov/climate-change-meaning/
Environmental policies in UK
https://www.clientearth.org/latest/latest-updates/news/why-the-uk-environment-bill-matters/#:~:text=The%20Environment%20Act%2C%20which%20became,intended%20to%20fill%20the%20gap.
Websites & activists:
Commando Jugendstil: https://www.facebook.com/CJugendstil/
Thejaymo (Jay Springett): https://www.thejaymo.net/solarpunk/
Fiction & non-fiction:
Samuel Fisher, Wivenhoe (2022 - also Italian edition: La neve non ha odore)
Cal Flyn, Islands of abandonment (2021 - also Italian edition: Isole dell'abbandono. To read in full but the specific focus will be only on some excerpts)
Film:
We the Power (a film by Vacationland, 2020)
https://www.youtube.com/watch?v=75A9WGxoUn8
Unit 2 - Migrations
Documents:
Historical outline of migration in England, from 1940s onward
BREXIT - what happens now:
https://www.euronews.com/my-europe/2021/06/23/brexit-draft-deal-first-of-many-hurdles-to-a-smooth-exit
Fiction & non fiction
Chris Abani, Becoming Abigail (2006)
Cal Flyn, Islands of abandonment (2021 - also Italian edition: Isole dell'abbandono. To read in full but the specific focus will be only on some excerpts)
Films
Patriot (UK 2015, E. Riley).
Black Sheep (UK 2018, Ed Perkins)
NB: Sequenze scelte e comunicate attraverso il sito Ariel del corso. Agli studenti si consiglia ove possibile di vedere il film per intero
Optional readings:
L. Bruti Liberati, Storia dell'impero britannico, Bompiani, 2021
Those who have no training in CS are advised to look for hints exploiting the following bibliographical resources (all of them available in our libraries):
Chris Barker, Cultural Studies. Theory and Practice, London, Sage, 2016
Stuart Hall, Representation. Cultural Representations and Signifying Practices, London/Thousand Oaks (cal.), Open University Press, 1997
Nicoletta Vallorani (a cura di), Introduzione ai Cultural Studies. UK, USA e paesi anglofoni, Roma, Carocci, 2016.
Documents:
Climate change (made simple): https://climatekids.nasa.gov/climate-change-meaning/
Environmental policies in UK
https://www.clientearth.org/latest/latest-updates/news/why-the-uk-environment-bill-matters/#:~:text=The%20Environment%20Act%2C%20which%20became,intended%20to%20fill%20the%20gap.
Websites & activists:
Commando Jugendstil: https://www.facebook.com/CJugendstil/
Thejaymo (Jay Springett): https://www.thejaymo.net/solarpunk/
Fiction & non-fiction:
Samuel Fisher, Wivenhoe (2022 - also Italian edition: La neve non ha odore)
Cal Flyn, Islands of abandonment (2021 - also Italian edition: Isole dell'abbandono. To read in full but the specific focus will be only on some excerpts)
Film:
We the Power (a film by Vacationland, 2020)
https://www.youtube.com/watch?v=75A9WGxoUn8
Unit 2 - Migrations
Documents:
Historical outline of migration in England, from 1940s onward
BREXIT - what happens now:
https://www.euronews.com/my-europe/2021/06/23/brexit-draft-deal-first-of-many-hurdles-to-a-smooth-exit
Fiction & non fiction
Chris Abani, Becoming Abigail (2006)
Cal Flyn, Islands of abandonment (2021 - also Italian edition: Isole dell'abbandono. To read in full but the specific focus will be only on some excerpts)
Films
Patriot (UK 2015, E. Riley).
Black Sheep (UK 2018, Ed Perkins)
NB: Sequenze scelte e comunicate attraverso il sito Ariel del corso. Agli studenti si consiglia ove possibile di vedere il film per intero
Optional readings:
L. Bruti Liberati, Storia dell'impero britannico, Bompiani, 2021
Those who have no training in CS are advised to look for hints exploiting the following bibliographical resources (all of them available in our libraries):
Chris Barker, Cultural Studies. Theory and Practice, London, Sage, 2016
Stuart Hall, Representation. Cultural Representations and Signifying Practices, London/Thousand Oaks (cal.), Open University Press, 1997
Nicoletta Vallorani (a cura di), Introduzione ai Cultural Studies. UK, USA e paesi anglofoni, Roma, Carocci, 2016.
Assessment methods and Criteria
Students will have the opportunity to carry out some in itinere tests and in-depth activities that will be subject to evaluation and on which more specific indications will be given in class. The activities are meant as a form of training for team working, an ability that will be part of the final grading. The overall evaluation will be elaborated and communicated during the final exam.
L-LIN/10 - ENGLISH LITERATURE - University credits: 6
Lessons: 40 hours
Professor:
Vallorani Nicoletta
Educational website(s)
Professor(s)