English Literature
A.Y. 2025/2026
Learning objectives
The course aims at providing a basic preparation in English and other Anglophone literatures. Specific attention will be given to the interdisciplinary connections with the fields of geography, history, cultural and literary studies. Students will acquire the basic methodological tools of literary criticism, and they will be provided hints on the most suitable critical strategies to approach the issues proposed by each syllabus. Primary texts will be proposed in English. Texts in translation are allowed but not encouraged.
Expected learning outcomes
Knowledge: Within the cultural and critical horizon of English Literature, openly referring to the chosen historical period focussed on each year, students will prove able to read and understand the chosen texts, locating them in their context. They are expected to frame the text with reference to its author (biography and works), its genre (analogies and divergences), its publishing context (culture and history). They are also required to be able to compare the given text with other texts belonging to the English and/or the international context.
Competence: Students are expected to understand a literary text in English (novel, poem or play) and to be able to identify its main thematic guidelines, though they are not required to translate it. Moreover the students are expected to develop the basic skills of textual analysis and show the ability to select and point out the texts' stylistic guidelines in terms of rhetorical choices and analogies/deviations in comparison with the genre they belong to.
Competence: Students are expected to understand a literary text in English (novel, poem or play) and to be able to identify its main thematic guidelines, though they are not required to translate it. Moreover the students are expected to develop the basic skills of textual analysis and show the ability to select and point out the texts' stylistic guidelines in terms of rhetorical choices and analogies/deviations in comparison with the genre they belong to.
Lesson period: Second semester
Assessment methods: Esame
Assessment result: voto verbalizzato in trentesimi
Single course
This course cannot be attended as a single course. Please check our list of single courses to find the ones available for enrolment.
Course syllabus and organization
Single session
Responsible
Lesson period
Second semester
Course syllabus
Title: Apocalypses
The course wants to reflect on the consequences of imperialist policies, with specific reference to the British Empire. Starting from the processes of colonization and the relationship with colonized populations, it explores the notion of power over people and the environment, and how the consequences of this power are represented in literature. The relationship between humans, nature, and science will be examined through selected literary works, which span a broad literary spectrum—from 19th-century narratives to Gothic and speculative fiction. Special attention will be given to women's writing.
It is a one-year course: it does not aim to cover the entire history of English literature from its origins to the present day. Rather, it selects specific thematic paths, drawing primarily on methodologies from Literary Studies, Cultural Studies, and Gender Studies. The course seeks to explore the theme of power and its exercise on both an individual and collective level, from the imperial mission to present-day environmental catastrophes.
We will use a primary textbook (with reference to specific chapters), which is paired with a digital platform that we will access for additional materials and tests. This will be supplemented by full readings of selected novels, as well as some optional readings. The novels may be read in either English or Italian.
The course will include guest lectures from speakers both within and outside the university.
!!! Students attending the course for 6 ECTS are expected to refer to Units 1 & 2, while students attending the course for 9 ECTS, should add unit 3!!!!
Unit 1 - The ghosts of empire (20 ore, 3 cfu): prof.ssa Nicoletta Vallorani
The British imperial mission and its consequences in terms of the oppression of local populations are presented. Its ideological justifications will be examined. During the decolonization phase and beyond, the course will explore how the "invisibles" gain visibility and a literary voice.
Note: For all authors whose works are read, students are expected to have at least a basic understanding of their biography and historical-cultural context.
Unit 2 - Waste Lands (20 ore, 3 cfu): prof.ssa Nicoletta Vallorani
Imperial policies and the ruthless exploitation during colonialism and neocolonialism have caused significant environmental damages. In this context, we focus primarily on authors from former English colonies who, in various ways, seek to draw attention to the need for a non imperialist storytelling
Note: For all authors whose works are read, students are expected to have at least a basic understanding of their biography and historical-cultural context.
Unit 3 - Intersections: humans, ghosts, clones, nightmares (20 ore, 3 cfu): prof.ssa Nicoletta Brazzelli
Over the course of different times and through a significant range of approaches, English literary production has explored the boundaries between the scientific and the imaginative spheres, the human and the non-human world, interweaving the gothic, science fiction and other narrative forms, placing the fundamental question of the limits, of their crossing and of contamination at the centre of reflection.
The course wants to reflect on the consequences of imperialist policies, with specific reference to the British Empire. Starting from the processes of colonization and the relationship with colonized populations, it explores the notion of power over people and the environment, and how the consequences of this power are represented in literature. The relationship between humans, nature, and science will be examined through selected literary works, which span a broad literary spectrum—from 19th-century narratives to Gothic and speculative fiction. Special attention will be given to women's writing.
It is a one-year course: it does not aim to cover the entire history of English literature from its origins to the present day. Rather, it selects specific thematic paths, drawing primarily on methodologies from Literary Studies, Cultural Studies, and Gender Studies. The course seeks to explore the theme of power and its exercise on both an individual and collective level, from the imperial mission to present-day environmental catastrophes.
We will use a primary textbook (with reference to specific chapters), which is paired with a digital platform that we will access for additional materials and tests. This will be supplemented by full readings of selected novels, as well as some optional readings. The novels may be read in either English or Italian.
The course will include guest lectures from speakers both within and outside the university.
!!! Students attending the course for 6 ECTS are expected to refer to Units 1 & 2, while students attending the course for 9 ECTS, should add unit 3!!!!
Unit 1 - The ghosts of empire (20 ore, 3 cfu): prof.ssa Nicoletta Vallorani
The British imperial mission and its consequences in terms of the oppression of local populations are presented. Its ideological justifications will be examined. During the decolonization phase and beyond, the course will explore how the "invisibles" gain visibility and a literary voice.
Note: For all authors whose works are read, students are expected to have at least a basic understanding of their biography and historical-cultural context.
Unit 2 - Waste Lands (20 ore, 3 cfu): prof.ssa Nicoletta Vallorani
Imperial policies and the ruthless exploitation during colonialism and neocolonialism have caused significant environmental damages. In this context, we focus primarily on authors from former English colonies who, in various ways, seek to draw attention to the need for a non imperialist storytelling
Note: For all authors whose works are read, students are expected to have at least a basic understanding of their biography and historical-cultural context.
Unit 3 - Intersections: humans, ghosts, clones, nightmares (20 ore, 3 cfu): prof.ssa Nicoletta Brazzelli
Over the course of different times and through a significant range of approaches, English literary production has explored the boundaries between the scientific and the imaginative spheres, the human and the non-human world, interweaving the gothic, science fiction and other narrative forms, placing the fundamental question of the limits, of their crossing and of contamination at the centre of reflection.
Prerequisites for admission
students are required to be able to read and understand literary texts in English and the critical essays included in the syllabus.The
Teaching methods
Classes develop through lessons in the traditional lecture-format, trying - whenever possible - to encourage the students to participate, mostly when analysing the texts. Guest speakers are invited in connections with the themes and topic of the course. The MyAriel platform is very much exploited as to share materials and upload slide presentations summarizing the topics approached in classroom practice.
Teaching Resources
Unit 1
P. Caponi, "Imperialism & Ideology. Le rappresentazioni dell'impero", in AAVV, Letterature e culture inglesi. Temi e (con)testi dal XIX secolo a oggi, Ch. 2 Milano, Pearson, 2024, pp. 77-98
At least one novel (in English or in Italian) to be chosen in the following list: :
Charlotte Bronte, Jane Eyre (1847)
Bernardine Evaristo, Blonde Roots (2008)
Hanif Kureishi, The Buddha of Suburbia (1990)
U.K. Le Guin, The Word for World is Forest (1972)
Jean Rhys Wide Sargasso Sea (1966)
Zadie Smith, White Teeth (2000)
Unit 2
Carmen Concilio, Ecology & Environment. I luoghi che abitiamo", in AAVV, Letterature e culture inglesi. Temi e (con)testi dal XIX secolo a oggi, Ch. 9, Milano, Pearson, 2024, pp. 199-220.
At least one novel (in English or in Italian) to be chosen in the following list:
Zakes Mda, The Whale Caller (2005)
Laura Jean McKay, The Animals in that Country (2020)
Witi Ihimaera, The Whale Rider (1987)
Nnedi Okorafor, Lagoon (2014)
Elvia Wilks, Oval (2019)
Margaret Atwood, The Year of the Flood (2009)
Unit 3
Letterature e culture inglesi a cura di Nicoletta Vallorani, Paolo Caponi, Emanuele Monegato (capitolo 3 di Elisabetta Marino).
Daphne du Maurier, Rebecca. Verranno esaminati anche gli adattamenti cinematografici di Alfred Hitchcock e di Ben Wheatley/Also the film adaptations by Alfred Hitchcock and by Ben Wheatley will be examined.
Kazuo Ishiguro, Never Let Me Go. Verrà esaminato anche l'adattamento cinematografico di Mark Romanek/Also the film adaptation by Mark Romanek will be examined.
Students must read both novels. At least one of the two must be read in English, the other can be read in Italian.
CRITICAL TOOLS
Excertpts drawn from the following texts will support classwork. Non attending students are invited to use the text as a whole
AAVV, Studi Naturalculturali, numero monografico di Studi Culturali, XXII/1, aprile 2025
Alexis Pauline Gumbs, Undrowned. Black Feminism Lessons from Marine Mammals (2020. Trad. It.: Undrowned. Lezioni di femminismo nero dai mammiferi del mare, Timeo, 2023)
D. Haraway, The Companion Species Manifesto (2003, trad. it Manifesto delle specie compagne, Meltemi, 2023)
L. Neri e G. Carrara (a cura di) Teoria della letteratura , Carocci, 2021(chs 1)
NON ATTENDING
Units 1 & 2: 2 full novels + practice on the platform, referring to the chosen chs
P. Caponi, "Imperialism & Ideology. Le rappresentazioni dell'impero", in AAVV, Letterature e culture inglesi. Temi e (con)testi dal XIX secolo a oggi, Ch. 2 Milano, Pearson, 2024, pp. 77-98
At least one novel (in English or in Italian) to be chosen in the following list: :
Charlotte Bronte, Jane Eyre (1847)
Bernardine Evaristo, Blonde Roots (2008)
Hanif Kureishi, The Buddha of Suburbia (1990)
U.K. Le Guin, The Word for World is Forest (1972)
Jean Rhys Wide Sargasso Sea (1966)
Zadie Smith, White Teeth (2000)
Unit 2
Carmen Concilio, Ecology & Environment. I luoghi che abitiamo", in AAVV, Letterature e culture inglesi. Temi e (con)testi dal XIX secolo a oggi, Ch. 9, Milano, Pearson, 2024, pp. 199-220.
At least one novel (in English or in Italian) to be chosen in the following list:
Zakes Mda, The Whale Caller (2005)
Laura Jean McKay, The Animals in that Country (2020)
Witi Ihimaera, The Whale Rider (1987)
Nnedi Okorafor, Lagoon (2014)
Elvia Wilks, Oval (2019)
Margaret Atwood, The Year of the Flood (2009)
Unit 3
Letterature e culture inglesi a cura di Nicoletta Vallorani, Paolo Caponi, Emanuele Monegato (capitolo 3 di Elisabetta Marino).
Daphne du Maurier, Rebecca. Verranno esaminati anche gli adattamenti cinematografici di Alfred Hitchcock e di Ben Wheatley/Also the film adaptations by Alfred Hitchcock and by Ben Wheatley will be examined.
Kazuo Ishiguro, Never Let Me Go. Verrà esaminato anche l'adattamento cinematografico di Mark Romanek/Also the film adaptation by Mark Romanek will be examined.
Students must read both novels. At least one of the two must be read in English, the other can be read in Italian.
CRITICAL TOOLS
Excertpts drawn from the following texts will support classwork. Non attending students are invited to use the text as a whole
AAVV, Studi Naturalculturali, numero monografico di Studi Culturali, XXII/1, aprile 2025
Alexis Pauline Gumbs, Undrowned. Black Feminism Lessons from Marine Mammals (2020. Trad. It.: Undrowned. Lezioni di femminismo nero dai mammiferi del mare, Timeo, 2023)
D. Haraway, The Companion Species Manifesto (2003, trad. it Manifesto delle specie compagne, Meltemi, 2023)
L. Neri e G. Carrara (a cura di) Teoria della letteratura , Carocci, 2021(chs 1)
NON ATTENDING
Units 1 & 2: 2 full novels + practice on the platform, referring to the chosen chs
Assessment methods and Criteria
The exam consists in an oral interview, traditionally graded on a 30/30 system (minimu grade: 18/30). Students will be tested on their ability to articulate critical opinions and discursively organize the topics proposeed in the syllabus. Originality is very welcome, provided it is methodologically supportedi. Optional midterm exams will be made available in order to improve the students' ability in writing. Students are required to take their texts with them when sitting for the exam.
Modules or teaching units
Part A and B
L-LIN/10 - ENGLISH LITERATURE - University credits: 6
Lessons: 40 hours
Part C
L-LIN/10 - ENGLISH LITERATURE - University credits: 3
Lessons: 20 hours
Professor(s)